Showing posts with label sennheiser. Show all posts
Showing posts with label sennheiser. Show all posts

6/16/2012

Sennheiser SET900 Wireless Assistive TV Listening System Review

Sennheiser  SET900 Wireless Assistive TV Listening System
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The product appears to be well-made and of good quality materials, and it does amplify the sound so that with my hearing deficiency I can hear and understand dialogue on the TV without blasting others out of the room. However, the sound is tinny and you have to be sitting up fairly straight in order for the microphone on the earpiece to pcik up the sound. This devise doesn't work when you are stretched out and the microphone is not aimed at the sound source. I thought this was a transmitter that relayed the sound, but it is just a powerful microphone. The earpieces are OK, but get uncomfortable after extended use. Also, be prepared for the devise to pick up a distracting "scuffing" sound as it rubs against your clothing when you move slightly. While far from ideal, I would purchase it again, since it allows for comfortable sound levels for everyone when persons with normal hearing are watching TV with me.

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6/04/2012

Sennheiser FP72B freePORT Instrument Microphone Set Review

Sennheiser FP72B freePORT Instrument Microphone Set
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THIS IS AN AMAZING CHEAP WIRELESS SYSTEM. no "VIOLIN" effect on your instrument! my only complaint is the flimsy transmitter that attaches to your instrument

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5/30/2012

V-MODA Remix M-Class Earbuds- Bling Bling Black Review

V-MODA Remix M-Class Earbuds- Bling Bling Black
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These are not really dramatically better than the standard ipod headphones. But they sound pretty good for non canal type earbuds, and are a good value for the price. I ride a bike in New York City so I need earbuds that will allow some outside sounds in, and these work well.
I also like the clear cable and modern styling. Let's you be a bit more than another white cord ipod clone.


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5/11/2012

Sennheiser EW 100-ENG G2 Wireless Microphone System Review

Sennheiser EW 100-ENG G2 Wireless Microphone System
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I'm a television producer/director using two Panasonic HVX200's at 24P and this Sennheiser wireless microhone. Thus far, we've shot 5 indoor/outdoor shows for two series with the microphone and I must say it's quite impressive. I'm not an audio expert but I know when something's working well. What's amazing to me is that these units use only two 1.5 volt AA batteries each AND the batteries generally last an entire 12 hour day! I have a 9V battery based Samson wireless microphone system that's downright voltage thirsty by comparison. (I have to replace the Samson batteries every couple of hours.) The sound quality of the Sennheiser is consistently excellent at various ranges with only an occasional audio hit or dropout. The main tme we've experienced the hits are when our subject is further away; say 75 feet or so. On those occasions, we've remedied the problem by either switching frequencies or by positioning the transmitter or receiver on a more direct line-of-sight orientation.
The construction of the mic and receiver are solid, top drawer all the way. I have NOT read the thick instruction manual, nor do I intend to. My cameraman knows enough to be able to change frequencies when need be, so that's fine by me.
So, in summary, this is an excellent microphone system. It works equally well indoors or out. The quality of the sound we've recorded with it is exceptional. Don't hesitate to make this your primary wireless microphone purchase.

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4/14/2012

Sennheiser EW 122P G3-A compact cardioid clip-on microphone EW system Review

Sennheiser EW 122P G3-A compact cardioid clip-on microphone EW system
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These are identical transmitter and receiver pairs - the big difference comes in the microphone that comes with the kit.
You can see my review on the ew112pg3 which is the entry level kit for most information about the wireless aspects hereSennheiser EW112PG3A Wireless Kit with EK 100 G3 Diversity Receiver Frequency Band A (Range: 516-558 MHZ)
The microphone with THIS kit has a cardiod picup pattern (named for the fact that its polar plot is shaped like the heart) -- it will avoid sound from the side lobes and pickup sound from straight ahead on the microphone.
You might want to think about this abit before you jump to the cardiod pattern - if the mic tilts over during use (sennheiser's clip does that alot) you'll loose your speaker and get noise to their left or right whichever way it tips. This MIC MUST point at the speaker's mouth to get the sound. The omnidirection (EW112) kit will pick up sound from any direction comming into it, so as it moves around on the speaker's clothing you still get good pickup.
If you can lock the mic element down with a tieclip style mic holder then this mic may work better - but the factory holders pivot.

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3/30/2012

Sennheiser RS 140 Wireless HiFi Headphone with Dynamic Compression System Review

Sennheiser  RS 140 Wireless HiFi Headphone with Dynamic Compression System
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Audio choices are obviously very personal, so I hesitate to recommend anything too strongly here. Tastes and tolerances differ so greatly, and wireless audio products really seem to push those differences. Maybe some of my needs and wants will match yours, maybe not, but please consider my thoughts here in light of the many personal qualifiers that I add. Those qualifiers may or may not relate well to your own situation. By the way, my apologies in advance for such a long review, but I really appreciate details when researching audio gear. I thought you might, too.
BACKGROUND
I'm about as picky as they come when sound is the issue. I have a small home recording studio and 30 years of experience as a semi-pro musician (jazz, rock, classical, country). That said, I approach every musical equipment purchase with thorough research and comparison. Since I already have good wired phones (Senn 280s, Audio Technica M50s, and others) in my studio, I wanted some wireless cans mostly for moving around the house and yard while listening to music from my home stereo system, kind of a self-indulgent luxury. I've read enough to know that any wireless models using a radio signal (the best type of signal if you'll be in a different room than the transmitter) will produce some hiss and pop on occasion. I accepted this fact before buying. Still, I decided I would not accept something else: poor sound quality, in a musical sense. Two of the sub-$200 phones with rather consistently high reviews (in magazines and online) were the Senn 130 and 140 models. So I ordered both models to compare them in the privacy of my home. (I paid about $115 for the RS-130 and $135 for the RS-140; be patient because the prices here fluctuate often.)
TEST EQUIPMENT
A 100-watt/channel JVC receiver and JVC CD player--both typical (low-end) home stereo components. To suit my personal tastes for EQ, I boosted some at 16 kHz (to add air to the highs) and at 60 Hz (to add depth to the lows).
FOR MUSIC NOT TV
I've used these cans mostly for listening to music, which usually masks any low-grade background noise. TV use, with its emphasis on dialogue, would be demanding in other ways, so I'd defer to other reviewers for feedback concerning that application.
POINT OF REFERENCE
The entry-level price for a decent set of wired (corded) cans is roughly $100. The price of these wireless Senns, especially the 130s, isn't much more.
LIKES
Musically, both models sound as good as I'd hoped except for their shy response at the extremes (see Test Equipment above). Still, when I've been wearing them while working outside, I sometimes have to stop what I'm doing, raise the volume, and just listen for a while. They sound that good. I wouldn't use them in my studio, but considering the low price and mobility, I'm very satisfied. As I'd read, the open-back 130s sound (and look) a bit like Senn's popular 580 audiophile (wired) model--open, smooth, warm, and most of all, pretty well balanced. The closed-back 140s have a similar sound, maybe a bit boxier, overall, as is typical of closed cans. I think that some folks (such as heavy rock n' rollers, rappers, computer gamers, the hearing impaired, and even office workers) might prefer the 140s for their enhanced isolation, but I found the 130s, which offer the spacious open-back sound that made Senn famous, to provide the flatest, truest sound, overall. After a lot of back and forth listening to verify my impressions, I kept the 130s. The 140s would be a perfectly acceptable alternative, though. The differences are minor.
Both models are cushy comfortable, and the features and controls are top-notch. I've never liked surround-sound simulations and the like, so I can't comment on that feature (130s). But I find everything very simple to use, and all works fine. Like easy? Hang these Senns up and they turn off and charge automatically. Press a button and they tune their reception and then memorize it, also automatically. The reception's very good, too, after I improved it significantly by moving the transmitter unit to a slightly higher shelf and trying the different freq-channel options. Remember this if you buy. Also remember to boost the source volume plenty so that the phones receive a strong signal. (By the way, I've read that you may experience greater interference noise if you live in a congested area, which I don't.)
DISLIKES
No review would be complete without some criticism and warning, so here's mine. Above all, choosing musical equipment involves personal tastes, which vary greatly, so try to listen before buying. Trust your own ears. If you do buy either Senn wireless model, you should expect some hiss and pop and hum at times, usually just when you move around, but almost certainly if you head outside or into another room far from the base unit. (The stated spec of "up to 150 meters" seems laughable.) You may even notice the sound strengthen and weaken on occasion. In this price range, at least, I think you'll need to accept such reception problems or else stay with wired cans. Period. Wireless freedom is never perfect, is it? Beyond that, I wish these cans were as snug-fitting as my Senn 280s, which grip my head tightly. These wireless phones are like light pillows, very comfortable since they sit 'around' the ears (not 'on' the ears), but I'd bet that some folks with smaller heads could find them to be a bit loose when walking around. And finally, another obvious point--bad or good, depending on your situation--is that the 130s (which I prefer in terms of smoother, truer sound) are open-air cans, meaning that you'll hear your family if in the same room. That's good for staying in contact but bad if you want to get away from outside noise. The closed 140s are certainly better for blocking out a barking dog or not disturbing a nearby loved one.
COMMENT ABOUT INTERFERENCE PROBLEMS
If you're not already totally sick of me, you can check out my reaction to the interference problems that some users report here. (Click on 'Comments' below.)
OVERALL
All in all, both models of these phones admirably meet my picky expectations although being realistic about the limits of low-cost wireless sound was a necessary starting point. Nah, these wireless phones aren't perfect, and they're certainly no match for good wired cans, but I think they offer impressive overall performance for $100 plus change. An enthusiastic '4 and a 1/2 stars' and a lot of brag from me. Well done, Senn. Happy listening, all.
P.S. TO ANYONE WITH HEARING LOSS
If you have reduced hearing, particularly in one ear, you should probably choose the RS-140 model. The addition of the closed back (for isolation), L-R balance control, and compression switch (to equalize the overall volume) could be helpful.
NEED MORE RESEARCH?
Head over to "Consumer Search" online for a master summary of pro and consumer reviews of wireless headphones, including these. (The Senns do very well.)
UPDATE
A quick 2009 update, more than three years of almost daily use later: no surprises, no regrets, and the original batteries are still kicking. I stand by my review fully. I did find one time that the headphones didn't work, but a quick jiggle of the audio input in the base unit brought them back to life. True, as some folks have noted, there is indeed annoying interference at times but usually just when moving around in another room or outdoors. That's only a minor limitation for me but clearly a deal-breaker for some people (although some of them, I suspect, haven't boosted the source volume enough). But the surprisingly good music quality and thoughtful design at this low price point is the real story here for me and my primarily musical needs. If you eventually decide to give the Senns a try, just be sure that you can easily return them if they don't fit your own needs and limits. I typically return about half of the audio equipment I buy, even after thorough research, and have learned the value of a simple return policy. Good luck to you.
DISCLAIMER (SUMMER 2010)
I notice that the price has nearly doubled since I wrote my review, and that would change things for me. If I had this much to spend on wireless cans, I'd likely opt for Senn's new RS-180 model instead.

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The Sennheiser RS 140 Wireless Balanced Headphones use a switchable dynamic compression system for excellent sound accuracy and balance control for optimum right/left volume adjustment. The adjustable high output level can compensate for minor hearing loss, and the auto-tuning mechanism with memory function finds crisp, clear music. The self-learning automatic level control provides optimum signal reception. Power comes from NiMH batteries that are recharged by simply putting the headphones on their transmitter base that can be mounted to a wall. A charge lasts for 23 hours. The RS 140 is backed by a two-year warranty.

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11/25/2011

Sennheiser RS 170 Digital Wireless Headphone with Dynamic Bass and Surround Sound Review

Sennheiser RS 170 Digital Wireless Headphone with Dynamic Bass and Surround Sound
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I've only had the RS 170 phones for a few days. I had expected to rate them 10 stars because of the excellent crystal-clear sound; but I believe they have a flaw that may render them unacceptable for some people (see CONS, below). I'm giving them 4 stars because they are so good - I should probably rate them either excellent or "not acceptable".
Here is my take - you may not have the same experience or have the same needs or expectations.
TYPES OF WIRELESS HEADPHONES: For those that don't know, there are broadly 3 ways by which wireless headphones receive their signal:
IR (infrared) -- these use a line-of-sight signal and avoid radio interference. They have the disadvantages of short range and reduced mobility (you have to remain within sight of the base station), but they usually do produce a clean sound.
900 MHz -- these are analogue radio headphones. The main disadvantage is susceptibility to hiss and other noise, especially when you move your head or move to another room.
2.4 GHz -- these are digital radio headphones, like the RS 170, and are more likely to be free from hiss and noise.
I bought the RS 170 phones to replace cheap ones I've been using for late-night TV, and which operate on 900 MHz, providing constant hiss, much worse when I move about.
The RS 170 sound brilliant. I've used them for late night TV and movies, and for music (radio and CDs) allowing me to move to other rooms in the house. They're comfortable to wear and I'm sure they'd be great for use on a treadmill or working out. All over my home, and in most of the garden, the sound is crystal clear with no hiss or extraneous noise. Except, that is, for the echo ...
CONS: Having read scores of reviews of wireless headphones, it seems that some people buy them to listen to movies/ music without disturbing other people. For that these phones are brilliant.
But some people buy wireless headphones because they have hearing loss (or just want the clarity that headphones provide) and use them to watch TV while their spouse listens through the TV speakers. The RS 170 phones seem to operate with a slight time shift (delay). If the loudspeakers are also on, albeit at low volume, the effect of the time shift is to produce an ECHO - this is very noticeable with dialogue, and is really annoying.
It might mean that if you listen to movies/ TV, and have the sound coming through the TV speakers as well, the RS 170 phones may not be acceptable.
If you turn the TV speakers down (or "mute") you won't notice the effect, but then no-one else in the room will be able to hear anything unless they have headphones as well.
The RS 170 are of a "closed" design, which means that sound is not supposed to leak out, and in combination with the comfortable ear-pads, they greatly attenuate ambient noise - but they don't eliminate ambient noise completely (they are not "noise-cancelling"). I wrote to SennheiserUSA yesterday morning, and received this prompt response:
"The RS 170 should block out the sound of the TV speakers. Check to
see that you have them on correctly so that there is a nice seal to
block out ambient noise.
Let me know if you have any additional questions."
Eric Palonen
Sennheiser Headphones + Headsets
1 Enterprise Drive
Old Lyme, CT 06371"
It's true that the ear-pad seal does greatly attenuate ambient sound, but it does not eliminate it.The problem is so serious that I cannot use the phones to watch TV if my girlfriend is watching also.
The more expensive model RS 180 is an "open" design - the echo problem is likely to be even worse. The more I think about this, the more I am torn -- if you have hearing loss, you might not notice, or care about, the echo.OTHER FEATURES:
-- sound: The quality of the sound is better than I'd expected.
Listening to movies, I hear subtle sounds that I can't hear with loudspeakers. I can only describe the sound as crisp and clean with adequate, but not booming, bass.
I listened to some classical music CDs (Elgar) with delicate sounds as well as a full orchestra and timpani. The detail is excellent; even when I walk up my driveway the sound eventually cuts out, but there is no hiss as far as I can tell. My previous headphones were all hiss and crackle as I moved away from the base.
-- price. These are expensive, and may not be discounted for quite some time.
-- buttons. Lots of people criticised the prior design (RS 130/ 140) because the rotating volume control could catch on a pillow and move.The RS 170 has buttons for volume, mode, plus bass and [faux] surround sound. The disadvantage of buttons is that they're hard to find by touch alone. I think a lot of people will wind up taking the phones off to press the buttons. One advantage of the design is that the volume-up button is closest to the front and it doesn't take much practice to find it with your right thumb or finger. The BASS and SURROUND controls can be activated from the base unit.
-- bass. The bass is not intrusive, even with the "bass boost" engaged. Fine for me, but some people like exaggerated bass for rock-N-roll, and they may find the bass to be light.
-- surround sound.It's simlated surround sound, and I haven't used it enough to have an opinion. I think I shall wind up not using it (just like the CNET reviewers who tested the prior model RS 130).
-- charging batteries - yes they need 16 hours for first charge, but it only takes a moment to slip in standard alkaline batteries (just don't leave them in when you put the headset on the charger).
-- connecting - connecting is very easy - I took the time to route the wires through the coiled conduit. Some people will want to connect to a TV set. I connected to an AV receiver (I used "tape monitor out") so I can quickly switch between TV, radio and CD player. I also connected them to my iPod, but somehow that seems like a tautology.
-- range - Sennheiser claim 260 feet range. My house was built to defeat cell phone signals and may not be a good test. They work all over the house and in some of the garden and the driveway, but they do cut out at much less than 260 feet. That may just be a feature of my house. I didn't buy them for extreme range and I'm very satisfied.
In summary I think these phones are great - they so enhance the experience of watching a movie that I'm not sure I want to forgo them when watching movies with my girlfriend. The echo problem may be a deal breaker for some.

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10/29/2011

Sennheiser EW112PG3A Wireless Kit with EK 100 G3 Diversity Receiver Frequency Band A (Range: 516-558 MHZ) Review

Sennheiser EW112PG3A Wireless Kit with EK 100 G3 Diversity Receiver Frequency Band A (Range: 516-558 MHZ)
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With the exodus from 700 mhz due to the FCC reallocation, Shure and Sennheiser are improving their next generation (this is a 3rd gen which arrived May-Jun 2010) systems to have more coverage and features. Here are the highlights:
0- if you are looking for the cardioid pickup pattern version of this mic - the wireless parts are the same - you can read this review to get that info then click here to get the 172 microphone specifics (sennheiser just changes out the microphone) Sennheiser ew 112-p G3 Omni Lavalier Microphone Wireless System, CH B
1 - Mic Attenuator - programmable 0 to -60dB in 3db steps covers a 1 million:1 range of input signals. That's more than the range from a guitar to line level.
2 - frequencies - bands preprogrammed or user defined - plug in your clear channels to 25 khz
3 - output Attenunator - programmable from +12 dBm line level to - 36 dBm by 6db steps (mic level to line level out)
4 - output for 3.5mm TRS or 3 pin XLR male both included
5 - "hidden" diversity antenna is the shield in the receiver output cable (in case you wonder where the 2nd antenna is! - graph shows which antenna is used.
6 - cooperation with FCC in issuing new digital TV frequencies guarantees in 42 Mhz to find at least one 6 Mhz block of *FREE* space somewhere, and sennheiser supports this on their website to find your free space by zipcode.
7 - mic and output cables both feature screwdown locks on the transmitter box to prevent tug-out
8 - IR downlink sends receiver programming of clear channels to transmitter without user intervention.
9 - professional designed audio compander ensures exceptional "wired" sound quality performance
10 - compatible with rackmount versions of the receiver as well, and can co-exist with IEM wireless systems or 300 series ethernet connected to ensure zero interferance.
11 - tx has 30 mW output over entire battery range thanks to internal dc/dc converter and was designed to run from 2.4VDC rather than 3.0VDCI've used the G2 and G3 - they are cross compatible with each other and the G1 (which lacked a pilot tone, so you must turn off pilot on the receiver to use with G1 transmitters - thats the only reason you would ever disable the pilot tone) Note however that each series has had a wider range of frequencies, so compatibility is from a newer receiver to older transmitter over all old transmitter frequencies.
The receiver also includes a clip on hotshoe mount (with no contacts) to mount it to most cameras
Altogether this is a great mono system, use 2 for stereo. The azden cam-3 AZDEN CAM-3 On-Camcorder Mini Audio Mixer gives you a 3-in 1-out stereo mixer that fits on your recorder to handle 2 mono and 1 stereo source (I have a review there - I never go recording without the cam3)
The Sennheiser has a nice advantage over the Shure UHF-R ($1999) system - it operates off 2.4 V from nimh cells and using the sanyo 2700 mah sets you can get 16 hours of use Sanyo 2,700 mAh AA NiMH Rechargeable Batteries (4-Pack). Shure insists on alkaline 1.5 V cells for full runtime. Both the sennheiser receiver and transmitter use 2AAs each and even have a pc board trace so the batteries are put in the same way - not one forward, one backward as you would think with most radios.
This is an exceptionally flexible wireless vocal / instrument system with wired quality sound. You won't regret the flexibility of pro quality equipment. By using standard 3.5 mm TRS jacks you can plug other audio sources into the transmitter for handheld mics or other devices. Sometimes it is the fastest way to get a 3.5 mm signal matched to an XLR input which is why I keep 2 sets of these in my camera bag.
If you have questions for someone who has logged hours of use on both the shure and sennheiser systems, my email is in my profile. I also use the senn EW300G3 systems which are one notch better than this - last I checked they were not camera mountable for the receiver, but the 1/2 rack receiver did include the ability to do ALOT more, for example it has LAN connectivity to find a good channel, the lavalier or handheld mic sends digital data to the receiver subaudible to tell you the microphone pattern depending what head you have screwed onto the handheld mic and the battery level of the speaker's microphone so you are not caught offguard when they are running low (the backlit display turns from orange to red to alert you of any errors also on the 300 series, but its meant for installed applications rather than portable applications) - that's where the letter P comes from in EW112PG3 - the P in PG3 means the receiver is portable as is the transmitter and this is a lavalier version - they make handheld microphones with portable receivers also in the 100 series. The 300 series is better if you have multiple microphones running at the same time since you can put 2 half rack receivers next to each other on a rackmount system and get a well organized wireless mic console. The lan connections duplicate all the functions on the front panel on your pc which can reconfigure the systems for different scenes in a play for example - the 300 is one step up from the 100 which is a really good entry point. For permanent installs consider the EW300G3 series of computer (ethernet) controlled receivers from professional audio suppliers.

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10/10/2011

Sennheiser Remanufactured RS 110 OpenAire Supraural RF Wireless Headphones with Enhanced Bass Review

Sennheiser  Remanufactured RS 110 OpenAire Supraural RF Wireless Headphones with Enhanced Bass
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First, a note on buying these remanufactured (I'm not taking off a star since this is lumped with the NEW RS-110 reviews):
They say here 'remanufactured to like-new condition'--a bit of an overstatement...I can see noticable scratches on the phones and a fairly small chip of plastic is missing from the corner of the transmitter (but I'm pretty fussy and notice that stuff).
Still, condition is good and earpads look new (thank goodness). Comes with all accessories and panasonic AAA's. Still, for the savings (1/2 price) I can deal with some surface marks. I'm satisfied with my choice to buy remanufactured, but next time I might opt to buy new. If scratches will bother you, buy new.
Now about the phones:
Reviews that say they are plug and listen are true. I first had to find the battery compartment (well disguised behind one of the earpads)...just turn the pads sideways (eitherside) to reveal what's behind them.
The reception is good, note I'm using these in a residential neighborhood....when I get back to college I'll update. I walked outside and to opposite sides of my house and to the basement...still soundin' good. Once in a while I do get some static, but (for me) it isn't constant or common enough to make this an annoyance....living in a city area or apt might cause more interference (more wireless phones etc).
The sound: Nice base, not too heavy, just right. The sound is really crisp and clear. I use these to listen to my music (CDs and LPs) and DVD's wirelessly. They seem pretty comfortable despite size, the padding on the top and the earpads is very soft. They do look hilarious on me (according to my sister I look like I should be DJing). As with most wireless phones these are big cans, but they aren't ugly...just BIG. And since I'm wearing them mostly indoors, I'm not worried about the size.
Recommended for a good priced and good sounding wireless headphone.

Click Here to see more reviews about: Sennheiser Remanufactured RS 110 OpenAire Supraural RF Wireless Headphones with Enhanced Bass

RS110 Wireless Headphones Sennheiser wireless headphone system. Open-Aire, supraural wireless stereo-RF headphone system. Detailed warm sound reproduction with strong bass response Supports the use of multiple headphones receiving the RF signal from one transmitter. Delivery includes transmitter, power cable, audio cable and headphones. Connects to RCA jacks (red and white outputs), 1/8" and 1/4" headphone sockets (anything with a headphone jack including laptop and desktop computers!). Compatible with LCD and plasma televisions. Wireless freedom of sound with maximum comfort. Features: Open-Aire, supraural wireless stereo-RF headphone system Detailed warm sound reproduction with strong bass response Wireless freedom of sound (reception through walls and ceilings) Very lightweight headphones are extremely comfortable to wear Replaceable parts for long service life AAA batteries included 2-year warranty

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9/16/2011

Sennheiser RS 160 Over-Ear Digital Wireless Headphone Review

Sennheiser RS 160 Over-Ear Digital Wireless Headphone
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I bought these not expecting much and was utterly blown away by the sound quality. The KLEER technology they use results in audiphile grade sound without any of the noise or interference I have had with previous wireless units. I have used them constantly for television and critical listening to music (I'm a musician) for over a month and the batteries in the phones are still holding up. The batteries in the small transmitter gave way after a week but it was easy to set up the supplied wall wart power. They are especially great for late night TV and listening to music in my condo without disturbing the neighbors. Reception is great even upstairs. The phones design is very comfortable and they are well made. The only disappointment was the lag in transmission made them unusable for playing my guitar. For everything else you don't really notice it. Highly recommended and worth the price!

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Offering uncompressed digital wireless transmission and excellent stereo sound. New Kleer technology offers loseless RF wireless transmission.

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